Monday, 8 September 2008

The Mighty Boosh To Headline London's O2 Arena

The Mighty Boosh will headline at the O2 Arena in London this December, it's been proclaimed.


The indicate on December 17th comes in addition to their previously proclaimed sold out show at Wembley Arena on December 16th.


The Mighty Boosh, the guise of comedian's Noel Fielding and Julian Barratt, testament fuse comedy and alive music during the show.


The duo's popularity prompted them to hold their possess festival in July, which attracted performances from The Charlatans and Supergrass.


Tickets are on sale now and available through Gigwise here.


Alternatively, you can address our ticket hotline on 0871 230 1098 for more information.


The Mighty Boosh Festival in Pictures


More information

Friday, 29 August 2008

Kerry Katona - Katona Goes Under Knife For British Tv

British singer-turned-reality TV star topology KERRY KATONA will return to the small silver screen when she undergoes cosmetic surgery for a raw programme.

The 27-year-old star is fed up with her drooping breasts after stripping four children, and has agreed to let cameras at MTV UK come after her as she undergoes breast reduction surgery.

She says, "After four-spot kids I need it. I'm a GG at the consequence, and when I take my bandeau off my nipples ar by my feet. I want to be a DD alternatively."

The MTV deal could non have do at a better clip for the former Atomic Kitten principal, who filed for failure just utmost week (21Aug08) after flunk to pay the concluding $164,000 (GBP91,100) of a $834,000 (GBP463,300) tax bill.

According to reports, the meshwork will non be financial support the process.





More information

Saturday, 9 August 2008

Kate Rusby

Kate Rusby   
Artist: Kate Rusby

   Genre(s): 
Other
   



Discography:


Underneath The Stars   
 Underneath The Stars

   Year: 2003   
Tracks: 12


Little Lights   
 Little Lights

   Year: 2001   
Tracks: 11




Folk singer/songwriter Kate Rusby has lived in Barnsley, South Yorkshire, since nascency, and grew up in a melodious kin. Her parents had a ceilidh dance dance band and introduced her to British unwashed people at an early eld. Along with her sister, Emma, Rusby linked the striation, vocalizing musical accompaniment and playing the no-account. By the clock time she was 12, Rusby besides american ginseng lead and played guitar.


At 15, she debuted at the Holmfirth Festival, and was introduced to another thomas Young folksinger, Kathryn Roberts; afterwards playing together live for a while, the duo recorded Kate Rusby & Kathryn Roberts, which south Korean won Folk Roots' 1995 Album of the Year prize. Rusby besides collaborates with the female folk ensemble the Poozies, coming into court on their 1997 album Come Raise Your Head and 1998's Infinite Blue. On her possess, Kate Rusby has released 1998's Hourglass, and 1999 byword the U.S. vent of Kate Rusby & Kathryn Roberts as well as the solo Insomniac. Slight Lights appeared in spring 2001. She released 10, a accumulation of re-recorded and new tunes, as well as a fistful of live cuts in 2003, followed by the acclaimed Underneath the Stars in 2004. Girl Who Couldn't Fly arrived the succeeding year.






Tuesday, 1 July 2008

Jason The Scorchers Reunite For Honours Show


Cult country rockers JASON + THE SCORCHERS are to reform for a one-off performance at Nashville, Tennessee's famous Ryman Auditorium.

The Broken Whiskey Glass band's upcoming show on 18 September (08) will mark the first time the bandmates have played together in a decade.

The show will be part the annual Americana Honors and Awards Show, where Jason + The Scorchers will receive a Lifetime Achievement in Performance award.





See Also

Tuesday, 24 June 2008

Stone Temple Pilots: turbulent yet enduring

NOTHING GETS in the way of a lucrative rock reunion quite like a jail stint -- even an extremely short one. Just ask the members of Stone Temple Pilots, the multi-platinum-selling, stadium-rocking, alterna-grunge band that recently reunited after more than half a decade's "separation" (don't call it a breakup) to mount a 65-date tour of North America's top-tier summer music festivals and amphitheaters (with a stop at the Hollywood Bowl on Tuesday).

Last month, faced with the very real possibility that singer Scott Weiland would spend up to eight days behind bars for a 2007 drunk driving charge, each member of the SoCal rock quartet voiced a different perspective on how disruptive Weiland's sentencing had been on band unity.

"Seeing a friend go through something like this, it's an uneasy feeling. It's a drag," said the group's guitarist, Dean DeLeo."




















"To be honest with you, it's going to be a lot easier for me than it is for him," drummer Eric Kretz said of Weiland, a guy who by his own estimation has attempted to detox "40 or so" times in between various arrests, overdoses and relapses.

Robert DeLeo, Dean's brother and STP's bassist, seemed more concerned about his own self-preservation than his bandmate's debt to society: "I gotta take care of myself, man."

Seated at a conference table in a Burbank rehearsal space, the scarecrow-thin Weiland made known his feelings on the matter. "I live my life the way I live my life," Weiland said, loosening his paisley tie and brushing tresses of pink-dyed hair from his face with visible contempt. "I don't have to make any apologies."

Staying power

Despite having sold around 35 million albums worldwide and topping charts no fewer than six times since 1992 with hits such as "Plush," "Sex Type Thing" and "Interstate Love Song," Stone Temple Pilots originally were dismissed by rock cognoscenti as Pearl Jam-soundalikes. But the group has learned to take any criticism in stride, likening themselves to no less an act than Led Zeppelin.

Judging by certain empirical data (if not cultural impact), the comparison isn't far off the mark. Like Led Zep, the Pilots' hits remain in steady rotation on rock radio nationwide (locally, KROQ-FM keeps the STP songbook alive), and they are one of the most consistently played acts on Lithium, Sirius Satellite Radio's '90s nostalgia bandwidth. Additionally, the band's back catalog sells at a consistent clip.

Maybe it has something to do with the still-commanding presence of one of the last bad boy rock stars -- Weiland's snarling charisma, otherworldly androgyny and smoke-and-whiskey tunefulness are among STP's most identifiable hallmarks; his narcotic combustibility its biggest liability -- but it's easy to understand why concert promoters would see a Stone Temple Pilots tour as a golden ticket.

Now, the group's members are taking pains to ensure that fans remember them fondly -- even though STP never officially faded away. "Success to us does not mean the number of records sold," Dean DeLeo said. "It means making an indelible mark on the face of music."

Added Weiland: "Our biggest goal when we first got together was to create a legacy, musically. Now there's a whole new generation of kids getting into the band. The respect has multiplied like a snowball that goes, um, downhill."

Three days after making those remarks, Weiland would check himself into and be released from the Van Nuys Municipal Court lockup, having served just six hours of his jail sentence. Not what you'd call hard time -- even for a flamboyant frontman with a predilection for skin-tight trousers and mascara -- and the band's tour would kick off as planned at Columbus, Ohio's Rock on the Range Festival on May 17.

It was Weiland's second taste of freedom in three months. In March, he sprang himself from Velvet Revolver, the hard rock group comprising several former Guns N' Roses members.

That group scored a hit with its first album, "Contraband," winning a Grammy and touring the world, but its 2007 follow-up "Libertad" never caught on. VR's coffin was effectively shut after Weiland announced on stage at a gig in Glasgow, Scotland, that the group would be no more -- without having finalized the decision with his bandmates first.

By then, Dean DeLeo had called Weiland about resurrecting Stone Temple Pilots with the tantalizing offer of a big payday to play a bunch of summer festivals.

Weiland recalled: "I went to [Velvet Revolver guitarist] Slash and said, 'Listen, we have some opportunities this summer. With the Velvets, we're going to be done touring because this record isn't performing the way the last one performed, and to continue to try to flog a dead horse is ridiculous.' "

The singer's appraisal of Velvet Revolver's commercial doldrums and rationale for breaking up particularly irked the group's drummer. "Matt Sorum threatened to kick my ass on his website," Weiland recalled.

On Velvet Revolver's behalf, Slash portrayed the split somewhat differently in a written statement: "This band is all about its fans and its music, and Scott Weiland isn't 100% committed to either. Among other things, his increasingly erratic onstage behavior and personal problems have forced us to move on."

Never a dull moment

So far, STP's festival convoy has rumbled through Rockfest in Kansas and Calgary's V Festival, but the tour hasn't been without its share of speed bumps. On May 31, radio personalities Opie and Anthony reported witnessing a bitter shouting match between Weiland and Robert DeLeo at K-Rock FM's "Return of the Rock" show in Holmdel, N.J. -- during which the singer reportedly threatened to kick DeLeo off the tour. And earlier this month, the group's label, Atlantic Records, sued Weiland and Kretz for trying to end their contract early, dashing hopes for a new album.

"Stone Temple Pilots were deeply disappointed to see that Atlantic filed a surprise lawsuit against two members of the [group] when they were in the middle of what were believed to be cordial and positive discussions about [Stone Temple Pilots] returning to the studio to make a new album after five years," the group said in an e-mailed statement earlier this month.

Although STP seemingly thrives on conflict, its members haven't always enjoyed the tumult that so often accompanies fame. The bandmates went their separate ways in late 2002, bottoming after performing gigs with Aerosmith. "We were shoulder to shoulder for 14 years. It takes a big effort to keep a relationship together with four men," Dean DeLeo said. "You get tired of one another's routine."

While Weiland toured with Velvet Revolver, the DeLeo brothers joined with Filter singer Richard Patrick to form the alterna-rock quartet Army of Anyone in 2005. However, after its sole album failed to catch fire commercially, the group went on "hiatus" two years later. "We probably could have gotten this thing off the ground if we were prepared to go on the road for a year or two," Dean DeLeo said. "But quite honestly, man, I'm far too lazy to do that."

Which is around the time big-ticket rock fests started putting a lot of cash on the table to get STP to reunite. It brings up the question: Precisely how much of a factor was money in getting Stone Temple Pilots back together?

"I love the legacy of what we did, the footprint of it," said Dean DeLeo. "I absolutely adore playing music with these guys. Do you ask most people what their paycheck is? We get paid handsomely, too."

chris.lee@latimes.com

Monday, 16 June 2008

Definitely, Maybe - 6/24/2008

Poor young Maya (Abigail Breslin) is having a difficult day. Her Manhattan public school just implemented a sexual education program, opening up a world of questions she's not ready to answer. She's still coming to terms with her parents' pending divorce. Convinced she needs to get to the bottom of their crumbling relationship, Maya asks her father, Will (Ryan Reynolds), to tell her the story of how he and her mother met. "It's complicated," he offers, desperately avoiding the difficult task.



He isn't exaggerating. And while Will's story has more levels than a New York skyscraper, the pleasure comes in his recounting as Definitely, Maybe cruises along.



Writer-director Adam Brooks turns his clock back to 1992 to explain how Will, a gopher on Bill Clinton's first presidential campaign, eventually met Maya's mother. The film has fun guarding its slight riddle regarding the matriarch's identity, presenting three winsome women who could be "the one." Is it Emily (Elizabeth Banks), the wholesome college sweetheart Will left in Wisconsin? Could it be Emily's longtime friend Summer (Rachel Weisz), a budding journalist languishing in a dead-end affair with a burned-out politico (Kevin Kline, amusing in a beefed-up cameo role)? Finally, there's a chance Maya's mom will end up being April (Isla Fisher), the playful and non-committal copy girl whose tender heart is always just out of Will's reach.



Brooks built his career writing romantic comedies such as French Kiss (with Kline), Wimbledon, and the Bridget Jones sequel. He takes a novel approach to what amounts to a familiar tale, framing Maybe as a bedtime story Will tells to Maya. Reynolds has never been more appealing as both a father to Breslin and an affable romantic lead to his three gorgeous (and lovable) co-stars.



Maybe will sprinkle its pixie dust over anyone who took their own circuitous path to true love. As a storyteller, Brooks happily detours down a few stray alleyways of his own, though these asides give Maybe unanticipated flavor. He approaches Maybe like Woody Allen's second cousin twice removed, letting the funky, comfortable heartbeat of New York City provide a suitable rhythm for his work.



Maybe is a pastiche, a quilted concoction of stories that make up one man's love life. Because I thought I knew how it would end, I let my guard down and was completely surprised by the sweet, happy finale, which Brooks and his cast definitely earn.







Extreme fajita shooters all around!

See Also

Thursday, 5 June 2008

Jimmy Buffett busy with live DVD, tour

'Scenes You Know by Heart' available at Wal-Mart





DETROIT -- Jimmy Buffett is in "no hurry" to make his next album, but he still has plenty to offer his faithful Parrotheads this year.
On Tuesday, Buffett released a DVD, "Scenes You Know by Heart," that will be sold exclusively by Wal-Mart and Sam's Club and the Web site of the artist's Mailboat Records.
The 15-song collection, modeled after Buffett's popular 1985 hits set "Songs You Know by Heart," features live performances of each track, some taken from existing Buffett DVDs ("Mini Matinee," "Live From Anguilla," "Live at Wrigley Field," "Live in Hawaii") as well as previously unreleased performances such as "He Went to Paris" from Paris, "Fins" from Cincinnati and "Grapefruit-Juicy Fruit" from Las Vegas.
"We shoot everything," Buffett said, "and somebody had an idea to do one like this. It's kind of a unique platform in which to feature little vignettes from all over the place. It's National Geographic with a good soundtrack -- that's what I consider it."
This month, Buffett published his seventh book, "Swine Not? A Novel Pig Tale," a young readers story about a single-parent family in New York that lives in the hotel where the mother works and has a pet pig they disguise as a dog.
Buffett credits illustrator Helen Bransford with the idea for what he considers a very different and challenging kind of narrative.
"It doesn't have any sea planes or pirates or anything," Buffett said, "but I loved the characters. It was a challenge in trying to write something different. It reminded me of when I had to write on assignment for Herman Wouk for 'Don't Stop the Carnival,' and I kinda liked that."
Buffett is also developing albums for younger artists, including Coral Reefer Band backup singer Nadirah Shakoor, for his Mailboat label. And his Year of Still Here Tour starts tomorrow at Lakewood Amphitheatre in Atlanta.
As for that next album, the follow-up to 2006's "Take the Weather With You," Buffett said that "the time it takes to write a book kind of produces an offshoot of you (wanting) to go back to something else."
He added that he's been "listening to different things that inspire me musically, but I'm in no hurry to do (an album). I am writing songs; it'll be interesting to see if I wait and get a collection of 12 of them together to do an album or go do four and put 'em online or something. The delivery systems now ... it's very interesting how you can put stuff out there, so we'll see what feels like the best way to do it."

Tuesday, 3 June 2008

Gwyneth Paltrow - Paltrow Feared Hollywood Had Forgotten Her

Oscar winner GWYNETH PALTROW was desperate to return to acting after taking a break to give birth - because she feared Hollywood had forgotten about her.

The 35-year-old star took a hiatus while she was pregnant with two-year-old Moses, so she could give birth and be a full-time mum to the tot and his four-year-old sister Apple.

But Paltrow admits she spent the whole time worrying about other actresses taking her place.

When she was offered roles in new movies Iron Man and Two Lovers, Paltrow leapt at the chance to reclaim her status as one of Tinseltown's top leading ladies.

She explains, "I really did not know if there would be a place for me. Jodie Foster was right, especially if you are a woman and especially if you are not 25.

"Hollywood is pretty cut-throat, and everybody has a short memory. There is always someone who is younger or hotter or prettier."




See Also

Deathless

Deathless   
Artist: Deathless

   Genre(s): 
Rock
   Metal
   



Discography:


Promo   
 Promo

   Year: 2002   
Tracks: 4


The Time To Be Immortal   
 The Time To Be Immortal

   Year: 2000   
Tracks: 10




One of Spain's well-nigh accomplished entries into the melodic death alloy subgenre, Deathless was formed in 1995 and features singer Emilio Cañas, guitarists Michael Fidalgo and José Contreras, bassist Antonio J. Cantos and drummer José Luis González. Their only album, The Time to Be Immortal, emerged in 2000 and draws intake from the common Swedish suspects (In Flames, Dark Tranquility and At the Gates), only no more has been heard of them since.






Caspa Codina, Used To Go Dancing

Caspa Codina

Used To Go Dancing

Video




Caspa Codina releases a new single 'Used To Go Dancing' on June 9th 2008 through Stopstart Records, a week prior to the self-titled debut album Caspa Codina, June 16. Caspa Codina is the creation of Gabriel Olegavich- founder, producer and co-writer of electro- punk band Spektrum.



Used To Go Dancing started life as a basic demo which Caspa had planned to send to some US R'n'B artists. It got such good reactions, and people liked the vocal so much, that it ended up as a lead track on the album.



Lyrically, the song is a futuristic mystery about a femme fatale who never lets Caspa out. There are allusions to the myth of 'Bluebeard's Castle', where Caspa is locked away, with lots of other 'boyfriends' maybe -or possibly she is turned to stone; broke his heart & now he daren't got out.



Remixes come from Flash Atkins, the super hero who had his gravy days in the late 70s and early 80s saving the world with his ability to manipulate sound. Unfortunately he's fallen on hard times and can be spotted in the less salubrious parts of London, often stoned or drunk on borrowed money. Flash is also the atler-ego of producer Ben Davis (Paper Recordings / Shaboom / The Bionics). Ben has just started a new label, We are Woodville, with flagship artists Karoshi Bros, and is recording an album due for release in early 2009.




See Also

Busta Rhymes - Rhymes Security Guard Shot Dead

BUSTA RHYMES' security guard has been shot dead in New York.

Jermaine Williams, 35, was found on Wednesday (28May08) with multiple gunshot wounds in Ozone Park, Queens, reports AllHipHop.com.

Police found Williams' body wrapped in a blanket in the backseat of his SUV.

Busta Rhymes is currently touring Europe and was not in the country at the time of the incident.

Williams is the second bodyguard employed by Rhymes to be shot dead. His former bodyguard Israel Ramirez was shot dead in 2006.




See Also

'Savage Grace': Family Romance, By Kurt Loder




The Baekeland family had it all: money, murder, incest — a nightmare domestic trifecta. Barbara Baekeland was a beautiful one-time model and sort-of actress. She had married up from her modest Boston origins, securing a union with the brilliant and handsome Brooks Baekeland, heir to an enormous plastics fortune. Their son, Tony, was similarly brilliant, but troubled (in fact, schizophrenic, as it turned out). Rejected by his emotionally remote father, Tony bonded inseparably with his boozy, social-climbing mother, who took pictures of him naked in the bathtub and encouraged him to read passages from the Marquis de Sade to startled party guests.

Unburdened by any need to work, the Baekelands were dedicated expatriates, traipsing endlessly from London to Paris to various luxury accommodations in Italy, Spain and Switzerland, dragging their son along. Eventually, it became clear that Tony was gay, a fact that disgusted his father. Barbara attempted to reorient her son, bringing in young women to go to bed with him. When these efforts failed, she began having sex with Tony herself. One afternoon in November of 1972, at their home of the moment in London, Tony stabbed Barbara through the heart with a kitchen knife. When police arrived, he was on the phone ordering Chinese take-out.

This horrific narrative was recounted in numbing detail in 1985, in a nearly 500-page oral history called "Savage Grace: The True Story of a Doomed Family," by Natalie Robins and Steven M. L. Aronson. In adapting that book into a 97-minute movie, director Tom Kalin has discarded all but the most telling moments. We see Barbara (Julianne Moore) and Brooks (Stephen Dillane) in New York in 1946, dressing for dinner at the Stork Club. Barbara is drinking and chattering and clearly getting on her icy husband's nerves, as is their squalling infant son. We see them in the Spanish resort of Cadaques in 1967, where the now-teenaged Tony (Eddie Redmayne) is having a tentative heterosexual encounter with a girl named Blanca (Elena Anaya). When he brings Blanca home to meet his parents ("like a kitten that has killed his first mouse and laid it at your feet," Barbara says), his father immediately takes an interest in the girl, and soon runs off with her. Later, when Tony finds his mother in bed with a bisexual companion named Sam (Hugh Dancy), he climbs under the covers with them. In Paris the following year, Barbara — her loveless marriage now over — slashes her wrists in despair, and a short while afterward, in one of the film's eeriest images, we see Tony tenderly smoothing ointment over her stitches.

The movie ends in London, of course, where Barbara seduces her son for the first time, on a living-room sofa. The scene is shot with a cool, unblinking objectivity that's harrowing. Before long, during a furious argument over the missing collar of a long-dead pet dog, we see the murder, which is depicted in a virtuoso sequence of smothered emotional release.

Julianne Moore dives into her role with fearless abandon, unleashing gales of foul-mouthed rage and shameless erotic calculation in her portrayal of a woman who's both unusually intelligent and pathetic. And Eddie Redmayne, with his fleshy lips and carefully flat delivery, is a perfect foil — Barbara's helpless partner in a fatal family dance. Director Kalin, best-known for his only previous feature, the 1992 film "Swoon," bathes much of the picture in gorgeous Mediterranean light (it was partly shot on the Costa Brava), a ravishing visual strategy for a story of such dark struggle.

In the aftermath of Barbara's 1972 murder, the real Tony Baekeland was sent to Broadmoor, an English hospital-prison for the criminally insane. He was released in 1980, and returned to New York to live with his maternal grandmother, whom he soon also attacked and stabbed. (She survived.) He was then imprisoned on Rikers Island, where in March of 1981 he committed suicide by suffocating himself with a plastic bag. In reviewing "Savage Grace," the book, the late William F. Buckley, Jr., who moved in some of the same social circles as the Baekelands, called it, unsurprisingly, "a story of spectacular decadence." He also observed, more incisively, that "seldom has there been so devastating an exposure of the consequences, for the most sophisticated people, of failure in the simplest duties of love."

Check out everything we've got on "Savage Grace."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.






See Also

Alicia Keys hopes her activism unlocks fans' generosity

With three studio albums, 11 Grammys, $20 million in sales and a butterflylike metamorphosis into an elegant woman, no one could expect much more from Alicia Keys.
But this prodigy-turned-superwoman is on a mission. Now, even as her latest CD, “As I Am,” churns out hit singles, Keys is working on something she believes is her responsibility as a global citizen.
“I have been blessed to travel around the world. I have spent a lot of time in Africa, and during those trips got to see firsthand the needs of people suffering with AIDS,” said Keys, 27. “I knew I needed to do something.”



So Keys joined humanitarian activist Leigh Blake in founding Keep A Child Alive. The organization provides medication, support and orphan care to families battling theHIV/AIDS pandemic.
“You see orphans and 13- and 14-year-olds who are having to raise their families because the parents have died,” said Keys, whose national tour comes to TD Banknorth Garden on June 11. “Once you see the need for access to medicine, it’s hard not to be personally moved.”
Keys’ new documentary, “Alicia in Africa: Journey to the Motherland,” chronicles her monthlong trip to communities affected by HIV and AIDS in Africa. She is encouraging fans to donate $5 to Keep A Child Alive by texting the word “Alive” to 90999. Fans can watch the film for free at aliciainafrica.com or download it at SpiralFrog.com.
Q: “As I Am,” your latest album, has already produced three singles. What makes this album different?
A: With more living and learning and becoming more mature and more aware of myself, it has changed the way I think and make music. I was searching for peace of mind and some type of understanding, some type of clarity. In the cases I didn’t find the answers, I found the right questions to ask.
Q: You made your big-screen debut last year as a leather-clad assassin in “Smokin’ Aces.” Then you starred in “The Nanny Diaries” with Scarlett Johansson. What’s next?
A: “The Secret Life of Bees” (an adaptation of the bestselling novel by Sue Monk Kidd), which is scheduled to come out later this year. I read the book and thought it was incredible. This is really a story about finding where you fit in, finding where you belong.

Harrison Ford - Ford Vows Never To Return To Star Wars

HARRISON FORD has vowed he will never reprise his role as HAN SOLO - the character which shot him to global superstardom in STAR WARS.

The 65-year-old actor is currently basking in the success of his latest movie Indiana Jones and the Kingdom of the Crystal Skull - which has become a major box office hit 17 years after his first appearance as the intrepid archeologist.

But although Ford is grateful for the career boost afforded to him by Star Wars when he was a struggling actor, he would never consider returning to the sc-fi franchise as the character is too dull.

He says, "Han Solo isn't interesting to me. It's a very narrow sort of utility in the story and it was great for my career and it was fun to play at the time but I wouldn't go back there again. Those pants!

"There are characters that it seems to me are worth re-exploring given that the story advances your understanding of the character, deepens your relationship to that character and takes you into an area that's new and unexpected.

"Some characters are decidedly one off kind of characters. Some characters don't outlive the movie."




See Also

Color By Numbers

Color By Numbers   
Artist: Color By Numbers

   Genre(s): 
Industrial
   



Discography:


The Transitions   
 The Transitions

   Year: 2004   
Tracks: 9